A New Genre of Fiction Called Philosophical Fiction

Theme isn't the characters or the storyline or the first idea that started the story. For example, a writer may start with the idea of exploring family connections between women, but as his story progresses, his subject may appear as understanding and forgiveness between different generations of females.

This brings us into the cause of psychological reaction. In regard to fiction that the most common emotions are likes and dislikes that may turn into their more powerful forms of hate and love. In real life we love or hate someone because of a few attachment through kinship, friendship, or through indirect understanding of the person. An individual cannot love or hate a person a person does not know at all. Attachment can also be to other living beings, material things, and even to imaginary things. We love or hate a story or even a notion. For a typical person it is not possible to live unattached to items in the world. If a person can eliminate attachment, one unites the rank of enlightened souls that are indeed rare. We carry our capacity and desire for attachment into the fanciful world of fiction. We see the characters that we come to know as the narrative progresses, form our preferences, and react in the identical manner like in real life except that we cannot socialize together physically. But we do socialize with them in our heads and hearts out of where the feelings come.

Even if the plot is all about something from this writer's imagination that may not emotionally involve us, the story becomes memorable if the theme makes itself understood. We may not care for Luke Skywalker's intergalactic triumph as far as we care about good winning over evil. Theme is very important to the overall success of any piece of fiction. When managed deftly, it is going to become a loyal servant to any writer. browse around this website is an area that is just filled with helpful information, as you just have read. As always, though, much of what you decide you need is totally reliant on what you want to achieve. The most innocuous details can sometimes hold the most important keys as well as the greatest power. No matter what, your careful consideration to the matter at hand is one thing you and all of us have to do. The latter half of our talk will center on a few highly relevant issues as they concern your possible circumstances.

Another benefit is that it can improve your imagination and help you become more creative. There are times when you locate your creativity isn't creative enough and you get stuck when you're making up some ideas for a creative job. As you read through the story storyline, you'll be able to envision the plots on mind vividly. By boosting your imagination, you will have the ability to create better games, create more creative arts and compose better stories of your own.

Writing fiction is a bit like baking a cake. You will need the proper ingredients in the right quantities, or it'll turn out dreadful. For fiction, you will need the ideal combination of plot, action, description and character development to bring your story to life to your own reader.

Getting back to fiction the creativity of the writer also has to be based on his direct or indirect encounters. In this sense fiction is based on reality and to that extent it represents another dimension of reality. Here of course we run to the philosophical difficulty of the precise significance of reality. You will find two diametrically opposite viewpoints - materialistic and spiritualistic. In accordance with the prior only things which can be perceived through our senses are real, everything else is unreal. The latter maintains that there's one ultimate reality from which all that we perceive comes out and what that is perceived is simply an illusion. We look at a statement by Einstein: "Reality is merely an illusion, albeit a persistent one." He was clearly referring to the reality of the phenomenal world. The term illusion can have different connotations but generally it means perceiving something rather different from what it is. Therefore the existence of the thing is a prerequisite for illusion, it is not a mental construction. Imagination is a mental phenomenon and has nothing to do with anything really existing. Thus the connection between fiction and reality is entirely different from that between reality and illusion. You can always check different fiction stories for reference.

Fiction is an essential part of human life. Man has an inherent demand for diversion to get away, even though for a few minutes, from the humdrum of life. Story telling has been among the earliest methods for accomplishing that and over the ages it's grown into the diverse types of entertainment we've got in today's world. Entertainment is essentially of two kinds - passive and active. The busy entails physical participation in one manner or other, while the passive does not. Fiction is essentially a passive entertainment even though the brain plays an important role in it. Fiction constantly involves visualization whether it is covert or overt. The earliest type of overt visualization has been the enacting of dramas since the civilizations developed. The development of technology brought in its modern forms - theater and television. The key form is inherent to story telling and reading. It is an inherent feature of the human (or perhaps any) mind a notion is always accompanied by an image. So as soon as one reads or hears a story the brain visualizes the scene as well as the figures; this process continues throughout the narrative and often even after it has ended.

Character growth can be one of the most important things about science fiction. You want to produce a realistic group of characters to move your plot together and to do that you need to understand them. But how much can you really have to know about these before you begin composing?

A much used way to demonstrate a motif is through the actions of the protagonist and the antagonist, together with the antagonist showing the dark side of the motif along with the protagonist the optimistic side.

"Knowledge is limited, imagination is not." Albert Einstein said that even though the wording of the next part might have been different. Einstein like any other human being was not infallible. Some of his views he held right till the end turned out to be wrong even in the subject of physics. In this particular announcement he also seems to have it backwards. Knowledge may be limited in the case of an individual but generally it's infinite even if we believe just logical knowledge leaving aside transcendental. Science in particular has shown this at each step in the course of its own development. Imagination pertains to an individual thoughts and can be constrained by several things depending on the circumstances of the person. A mind can envision only what happens in some way to things already stored inside. A person that has been outside a remote location in jungle and has had no contact with the world outside cannot imagine what metropolitan cities would be like.

Theme is the reason fiction things, since it is the quality that gives the story a universal appeal. Some say theme is exactly what the story is all about, but that is too ephemeral a definition, which might get confused with all the idea or the plot.

The first kind is what I'll call Fiction Enhanceable by Web, or FEBI for brief. The second is a Type of antithesis, the reverse - Fiction Not Enhanceable by Web, or Non FEBI. An example of the first is Tripmaster Monkey by Maxine Hong Kingston; of the moment, Mohawk by Richard Russo. I would imagine, without really having any way of knowing, that there are almost unlimited examples of every kind, so consequently the examples I choose here are wholly arbitrary.